New England in The Fall
 
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Saturday, November 5, 2011
     I continued to investigate templates and plug-ins today.  I also spent some time looking at gmail apps.  Gmail apps are free to organizations with ten or fewer employees.  The museum just barely meets that criteria.  The advantage of google apps is access to google docs, a calendar, etc. which can be stored on line in the "google cloud."  Then they are accessible from anywhere.  That is convenient and easy.  The other neat thing about google apps is that you can share your documents and calendar with other people.  So, the museum could potentially have an on-line calendar that everyone has access to and can update when  a new event comes up.  I talked to Joan, the office manager about this possibility.  She said it is something they have talked about doing before, but it just has not happened.  Now that their email host will be changing, it might be the perfect time to take the leap. 

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Friday, November 4, 2011
     Today I continued to do preliminary work on the web site.  The primary thing at this point is deciding the template or theme and whether we will use a splash page or not.  A splash page is basically a front page on a website.  Sometimes it's called a landing page.  There is no navigation on that page, and you have to "click to enter."  We have been looking at the websites of other museums.  One of the things we have noticed is that many of them have a large image on the home page, and not much else.  The current NEQM site is busy and as Connie says, it looks like a bulletin board.  It has everything but the kitchen sink on it.  Connie wants a home page that is smooth and focused.  I agree with her. 
     If we don't use a splash page, we are going to use a plug-in on the home page.  The plug-in will replace the header image and will be a slide show of some sort.  We will also be using several different styles of pages.  The overall look of them will be compatible with colors, fonts, etc.  But they will have some variation such as the size of the header image -- it may be tall, short, medium, on non-existent. 
     So I pretty much spent the day checking out the options for plug-ins and templates.  I identified the ones that I thought would work and started saving images, collecting themes and image sizes.  I am also beginning to explore other options for email providers.  I need to check with the domain host to see what their provisions are for email. 

 
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Thursday, November 3, 2011
     Today was spent finalizing my proposal for the NEQM web site.  I have a semi-formal proposal that states the benefits of going to the new software.  I included the benefits of using Weebly, such as automatic mobile sites (phones, ipads, etc.), ease of use, local backup capability, templates, HTML editing capability, multiple editor capability, and other features. Web development has come so far since I first learned HTML and Dreamweaver five years ago.  In my proposal, I also provided financial details and a comparison to their existing host. Using weebly will cut their hosting costs by two-thirds.  Since they have now made the decision not to do e-commerce, the monthly fee for merchant services will go away too.
     Earlier this week, I sent Maureen and Polly "permissions" to edit the NEQM test weebly site that I set up.  I was eager to get some feedback from them.  Maureen spent some time last night playing with it and loved it.  She added content to pages including text and images.  She said she learned how to use these features in about 20 minutes.  How could it get any better than that? I went over my proposal with Maureen and we had a great discussion about what the possibilities could be.  I think Weebly will offer her the ease of use she wants and the flexibility she needs to keep the site fresh.  I am also confident that Weebly will continue to develop functionality. 
     Through this process, I have a lot of research on Weebly.  They are amazing.  Long story short, it's a start-up that began with an assignment at Penn State University.  The three developers submitted an application to Y-Combinator, and were selected to come to the Silicon Valley and work among the best. They were literally down the street from Google, Yahoo, and others.  When Y-Combinator invited them to present their concept to potential investors, someone came forward with a buy-our offer which they declined.  However, Weeby also found investors who were willing to fund them.  People like Paul Buccheit, who developed gmail and later sold it to Google, were among the believers.  So, they were off and running. They turned a profit in less than a year. 
     Today Weebly is supporting 8 million users, continuing to develop new functions,  and helping to make the world of website development accessible to average folks.  They have been written about in the Wall Street Journal; Newsweek wrote about them in their 2007 article "Meet the Next Billionaires;" they were named in Time Magazines' 2007 50 Best Websites, and well, shall I go on?  When some one at the museum voiced concerns about whether Weebly will continue to be a viable business, my immediate thought was, "when someone like Google offers to buy them, will they take the money and run, or will they keep their independence and go it alone?"  I have read reviews where they are favorably compared with Wordpress and Tumbler.  Weebly is only six years old. 
    After I spent most of the day orienting Maureen to Weebly and the third party enhancements that were available, she agreed it was the best approach to take for the NEQM future website needs.  We met with NEQM Director Connie Barlow and she agreed with our recommendation.  This will result is moving from our existing web host to Weebly as a web host.  Since our existing host also manages our email, we will have to decide who we want to use for email going forward.  We agreed to make the switch on January 1.  That gives NEQM plenty of time to load content, and to feature the next Exhibition which will open in mid-January.  It's a GO!

 
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Wednesday, November 2, 2011
   This morning the accession committee met to make decisions about whether to accept about 30 quilts that have been offered to the museum.  It was interesting to see this process and the various considerations weighed in making decisions about each quilt.  A few quilts received an immediate YES or NO!  The committee is comprised of several people who are not on the museum staff.  Some are appraisers, some are quilt enthusiasts.  Also in on the fun were Laura Lane, collections manager, Pam Weeks, curator, and Connie Barlow, museum director.  Although I think technically, the museum staff does not vote on which quilts to accept. 
     The prize quilt of the day was a Baltimore Album reproduction of a quilt in the Abby Aldridge Rockefeller Folk Art Museum at Colonial Williamsburg.  It was offerred by Marjorie Lydecker who spearheaded the effort by her Circle of Friends quilting group.  The label reads, "Cape Cod Chapter of the Good Ladies of Baltimore of the State of Massachusetts."  Finished in 1998, it is a masterpiece! 
    As each quilt was unveiled and discussed, the following considerations were discussed:   
  • Does the NEQM currently have a quilt in their collection representative of the quilt being considered? For example, a nice crazy quilt was reviewed.  It was not accepted because a few of the fabrics were in bad condition; more importantly, the museum has 28 crazy quilts already.  Some of the crazy quilts need to be de-accessioned.
  • What is the condition of the quilt? The NEQM has no funds for conservation, so if the quilt is fragile, it may not be accepted simply because the museum can't properly care for it.
  • What is the quality of the workmanship: piecing, applique work, quilt stitching?
  • Does the NEQM need a quilt of this particular era, or pattern?
  • Are the fabrics important and representative of a particular era? 
  • Is the quilt a good teaching piece? 
  • Does the quilt have unique qualities that will enhance the NEQM's collection? 
  • Does the quilt have provenance?  Is there a story behind the quilt? 
  • Does the quilt have historical significance?
  • The NEQM has storage issues.  Every quilt we accept has to have a place to live when it's not on exhibit.   
The committee was able to come to a consensus on all of the quilts.  In the end, about ten of the 30 or so quilts were accessioned.  Some of the quilts were given to the NEQM unconditionally which means if they are not accessioned, they can be sold with the proceeds going to the museum.  I have not read the accession policy, but Laura told me where to find it and I will track it down.

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This afternoon, Pam and I had an appointment with Stephanie Hatch, a knowledgeable quilt collection and supporter of the museum.  Stephanie has four quilts that she has agreed to lend to the museum for the upcoming exhibit, Campaigns and Commemoratives, Quilts for Presidents. What an interesting experience it was to see part of Stephanie's collection. She allowed us to photograph and measure the quilts.  She also told some of the history of the fabrics and handkerchiefs used in the quilts.  She also has quite a collection of campaign handkerchiefs and various historic fabrics.  Stephanie is very generous to share her treasures with the NEQM and our visitors!  It was fun driving to her house.  She lives in Boxford which is almost as far as Ipswich.  So, once again, I got to drive "over the river and through the woods," past the great pond, and through the beautiful fall foliage.  I'm so lucky to be here!

 
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Ohio Quilt, 1855, The Shelburne Collection
Tuesday, November 1, 2011
While I was in Vermont, I got an email from Polly, a volunteer who does a lot of the web site work under Maureen Smith's direction.  Polly has a background in programming and is more computer savvy than most.  Last week, when I began familiarizing myself with Joomla! and considering it for our new site development, I let both Polly and Maureen know so they could take a look too. Polly's email said she thought Joomla! was more software than they could handle.  She had read some reviews, and really had not worked with the program.  I sent her some links to see tutorials, etc.  I personally don't think Joomla! is extremely difficult, nothing like Dreamweaver, that's for sure.  However, to build a site from scratch from Joomla! you have to understand the architecture of the software.  That is a little complicated, but not impossible.  I think once I had the site constructed, Polly and Maureen could adapt to it.     
     However, because Polly voiced concern, I began looking at even simpler software.  The trade off is less flexibility.  However, ease of use is their #1 priority.  They have felt so strapped down with Dreamweaver ever since they began using it.  If they are going to leave that behind, they want software that is very easy.  I get that.  I have found the software for this blog very easy to work with.  It's very intuitive and there are tutorials available.  Weebly is a fairly new company and are rapidly building a following.  They are also listening to their users and adding more and more functionality.  The price is right too.  But, my concern was whether it had the building blocks to construct a professional looking web site.  So, I began to look at weebly more closely. 
    I spent many hours while I was in Vermont and after I got back home on Sunday night and Monday looking into weebly. By Monday, I was convinced it was a good possibility.  I also began finding other themes on the web that worked with weebly.  We want a front page that has some life to it, a slide show, or something more engaging than the current site. Weebly can accommodate that.  I am also looking at other museum sites to see what they are doing.  The Met, just brought up a new site at the end of August, so that's a good up-to-date site to look at.  The Guggenheim, Winterthur, and the Peabody Essex are are worth taking a look at.  Not only is their style helpful, but also how they have organized their site within the navigation.  This is a good time for the NEQM to revisit how its pages are organized and see if they want to do it differently. 
    This afternoon I spent a little time with Connie and showed her some of the functionality we would have with weebly.  Her criteria for the new site is that it have an up-to-date "look" and have some movement on the home page at least.  In the weeks past, we have spent a little time looking at other museum sites, and that is what we are seeing a lot of.  I showed her a neat slide program that can be put on weebly and she liked it a lot.  It's a little different than the norm, and I consider it "artsy" as well.  It will allow them to change their home page easily and without technical help.  They can use it to highlight different quilts in the collection, or events at the museum, or something else. 
     To add this particular slide program to the site, it would have to be purchased from a 3rd party along with a template it resides in.  As cost is a critical consideration in this decision, I also presented to Connie the financial ramifications of making these changes.  Long story short, they will end up spending substantially less money on their site hosting if they go this direction, which leaves some funds to purchase a theme/template and slide show.  I think they will be very happy with this and it is certainly cost effective.  I think as time goes along, weebly will continue to add more and more function.  The down side to going to weebly is that they will have to host the site in order for us to continue to easily update it as the NEQM would need to do.  However, they do allow users to export sites built on weebly so we aren't necessarily required to host there; it would just make it easier and less expensive.  Connie agreed to a budget for the new site development that was very reasonable for the museum and I think will more than accommodate the purchases that will be necessary.
    Connie and I agreed that we would meet with Maureen and Polly later this week.  I will make a presentation to them along with my recommendation.  Then Connie and Maureen will make the final decision. 
    

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Sunday, October 30, 2011
Although I'm sure this image is hard to see, I had to post it because it's the map of the Shelburne Museum "campus."  I knew it was an outdoor museum but nothing could have prepared me for this very special place.  I was so determined to get here today that I left the Haitian PeaceQuilt opening early yesterday, and ran the slight risk that I would run into inclement weather.  Why?  Today is the last day of Shelburne's season.  They close at 5:00 today until  next spring. It was do or die so I did!  And it was well worth it! For those who have been to the Shelburne, no explanation is necessary; for those who have not been, there are no words to describe.  It is just incredible.  My pictures from this jaunt to Vermont are here
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My first destination was the "Infashion: High Style, 1690-2011" exhibit at the Webb Gallery.  The first garment I saw was a gown by contemporary designer Christian Siriano.  It was extraordinary, featuring layers of delicate tulle that was all hand dyed and hand sewn in layers to create a gradient effect.  It was the dress in real life shown on the banner on the left which is posted in front of the gallery.  Well!  That was just the beginning.  I was treated to a "run way" show of haute couture gowns from the mid-late 19th Century to today.  Some Charles Worth and Emile Pingat gowns were there alongside those by Bill Blass, Oscar de la Renta, Carolina Herrera, and others.  They were all elegant, embellished with beautiful sequins and embroidery.  A number of dresses were grouped together as "garden party" attire. 

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The "Complete the Look" exhibit was of eight vintage bodices from Shelburne's collection paired with skirts designed by FIT students.  It was old meets new, and very well done!   
     Another exhibit featured a collection,  of 1950's dresses worn by the museum's founder, Electra Havermeyer Webb. A poodle skirt embellished with appliqued motifs telling her life's story was my favorite.  Others included the gown she wore when celebrating her 50th wedding anniversary and the dress she wore to her granddaughter's debutante ball. 
    Lastly, there was a collection, "Head to Toe, of hats, bonnets, shoes, handbags and fans from the 18th and 19th centuries.  Part of this collection was haute couture outerwear. Some of these capes by Emile Pingat were elegant -- so delicate and beautiful.  

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Detail of Alphabet Soup, Joan Lintault
The Hat and Fragrance Textile Gallery called my name next.  About 60 or so quilts from the Shelburne's collection were on exhibit.  Also, "Passion for Quilts: Joan Lintault Collects" was on exhibit.  It included three quilts she designed and made.  They are incredibly detailed and simply beautiful works of art.  I wish there were more than three.  I think I could have stood there for an hour fixated on Lintault's work alone.  But, since she  had donated a number of quilts from her personal collection, I still had more to see.  I was overwhelmed!  The amount of exhibition space available in just this one gallery is amazing.  Although the NEQM houses quilts exclusively, the number of quilts on exhibit at the Shelburne  far exceeds what the NEQM has space for. 

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Jacquard Loom
    After I left the quilt exhibits, I wasn't necessarily on a mission to go any special place.  I was just strolling around and saw a sign that said "Weaving Shop."  Well, that sounded pretty good, so I went on in.  What the HELL!  There was a real Jacquard Loom in there!  No kidding, I almost lost my mind.  Although the loom is operated most days, today it was not.   I had a chance to speak with a woman who knew all about it and she showed me the "cards" and tried to explain how it worked.  I understand the card system, but don't really get how the punched holes work to determine the yarn placement and ultimately create the pattern.  This loom has a pattern made with 700 cards.  I was able to purchase a small piece of cloth that was made on the loom.  It's not very big, only the size of an over-sized place mat, but I don't care!      

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I didn't want to leave the Sheburne, but I wanted to get close to home before dark.  The nor'easter that hit while I was gone dumped 8" of snow on Lowell.  I didn't know what I might find, although I was pretty sure the roads would be dry because the day today was warm and sunny. In fact, for a day that could have been very snowy and cold, I had a beautiful warm day at the Shelburne.  It was about 50 degrees and sunny! 
        On my way home, I drove right by a Ben & Jerry factory.  I did the only thing any ice cream lover could have possibly done: I stopped and took a tour, which of course included the ice cream tasting room.  I saw the six stainless steel drums that hold 50,000 gallons of ice cream mix.  All that ice cream!  Really!  A sight to behold!
     I drove home to Lowell seeing more and more snow as I traveled south.  After I got off the highway, I encountered many stoplights that weren't working.  That was really something because I'm not familiar enough with this area to even know where they are and it was very dark.  There were also many tree limbs littering the sides of the roads.  Still more tree branches were hanging so low that it looked like they wouldn't clear my car. It would have been very scary if it hadn't been a Sunday night when the traffic was light.  When I arrived home, Marriette and Jim told me most of Lowell was out of power.  Thankfully, they only lost electricity for a short time. 

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Nadege describes imagery she used in her Biblical art quilt
Saturday, October 29, 2011
Today was the official opening for our new exhibition, Patience to Raise the Sun: Art Quilts from Haiti & Their Power to Change Women's Lives. We all arrived early this morning to prepare for the program and reception.  At 10:30 docent training was held by the curator, Pam Weeks.  She had previously sent out the docent guide and so there was some discussion about what other information the docents would like to have. 
     Later in the morning, the VIPs from Haiti PeaceQuilts began arriving.  They included founder Jeanne Staples, quilting coordinator Maureen Matthews McClintok, Haitian quilt artist Nadege Florian, and Bennington Museum Curator of Collections Jaime Franklin.  We greeted them and an informal gallery tour and light lunch followed. 

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Nadege sewing a missing button on the "Piti Piti" quilt.
When we received the quilts for the exhibit and did the condition reports on them, I noticed two buttons were missing from one quilt. Jaime found one of the missing buttons in his gallery and we rounded up another. Nadege took a few minutes to do the repair, sewing on the missing buttons.  She also repaired a treadle sewing machine in the museum by replacing a worn out belt with a new one made of braided fabric. Quite resourceful!
    After lunch the presentation began.  NEQM Director Connie Barlow and Susan Wornick, a local celebrity and anchorwoman, gave opening remarks.  Jeanne told us the story of how she came to form PeaceQuilts and the purpose behind the organization.  She was joined by Maureen and Nadege who talked about the formation of the cooperatives, how quilting skills are taught to the Haitian women, and the impact they have had on the lives of so many.  Nadege, who used a translator, unveiled her latest creation, an art quilt with a Biblical theme.  The presentation was followed by a reception.  Haitian music, story telling, and quilting lasted the rest of the afternoon.  This event was very well attended and a lot of fun!

     I had plans this afternoon to leave for Vermont after the opening.  BUT, there is a big storm on the way, a nor'easter they say.  To avoid getting caught in a snowstorm, I left a little early, so I missed out on the story telling and music.  When I left, it began raining, then the little slushy stuff we all hate to see started hitting my windshield.  I was really nervous even though all the weather maps showed Vermont was out of the storm's path.  We are already hearing reports of the huge snowfalls in Pennsylvania and other states south of us.  By the time I reached the New Hampshire border, the skies were gray, but the rain and slush had stopped.  I arrived at my destination, a little inn in Stowe, Vermont a few hours later.  The inn keeper said he thought they may get a "dusting" that night, which meant an inch or two of snow.   He was right.  Below is a picture I took the following morning!

    Cindy DeLong

    Hi!   I 'm working on my MA in Textile History with an emphasis in Quilt Studies at the University of Nebraska.  I have been fortunate enough to land an internship with the New England Quilt Museum in Lowell, Massachusetts.  This blog is about my great adventure! 

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